Dialoghi 2015 / 2015 Collegium Dialogues
I dialoghi si tengono ogni giorno dalla domenica al venerdì, alle ore 13:00, presso l’Auditorium della Regione. Tutti gli ospiti del festival possono prendervi parte.
The dialogues will be held daily at 13:00, from Sunday to Friday, and are open to all festival guests. The sessions will take place in the Auditorium della Regione (Via Roma).
Il programma dei dialoghi 2015 è il seguente / The public programme for the 2015 Collegium Dialogues is:
Le Giornate 2015: il programma e la sua preparazione; metodi e problemi della presentazione dei film muti. Guida veloce alle cose da vedere.
Getting to grips with the Giornate: the 2015 programme and how it is made; problems of exhibiting silent films. Quick guide to what to watch for in the coming days.
Fra restauro e trasformazione: Chuji Tabinikki e altri eccezionali restauri presentati alle Giornate 2105, tra cui Helena, Maciste alpino, Les Misérables, Lime Kiln Club Field Day, El automóvil gris.
Restoration as Transformation. With special reference to Chuji Tabinikki and other exceptional restorations in the 2015 Giornate, including Helena, Maciste alpino, Les Misérables, Lime Kiln Club Field Day, El automóvil gris.
“I film sono sempre stati a colori." / "Films were always coloured.”
“L’illusione della prima volta...” Lo Sherlock Holmes di William Gillette sullo schermo.
"The Illusion of the First Time...” William Gillette’s Sherlock Holmes on screen.
• Risate russe” / “Russian Laughter”.
• Serie”, “serial” e “cineromanzi”: Les Misérables, El Automóvil Gris e i recenti restauri di Feuillade. / "Series”, “Serials” and “Cinéromans”. With special reference to Les Misérables, El Automóvil Gris, and recent Feuillade restorations.
• Gli uomini forti italiani / Italy’s Strong Men.
• Correre il rischio: la musica per il cinema muto, fra tradizione e sperimentalismo.
Taking a Risk: Music for silent film – tradition and experiment.
The Collegium - whose sessions will be open to all guests of the festival and the general public - is an unconventional experiment in the technique of study. It is designed to utilise the unique conditions of the Giornate - a very concentrated one-week event; the possibility to see an extensive collection of rare archival films; the presence in one place and at one time of many (perhaps most) of the world's best qualified experts in film history - scholars, historians, archivists, collectors, critics, academics and just plain enthusiasts.
The aim of the Collegium is to excite a new generation in the idea of cinema history and heritage, and to infiltrate these newcomers into the very special community that has evolved around the Giornate during its thirty-three years. We want the participants in the Collegium to feel themselves members of that community, not to be awed and intimidated by the age, experience, authority or scholarship of the people they meet in Pordenone.
From past years' experience we recognise that we derive the maximum advantage from the special conditions of this short week of concentrated activity by returning to a fundamental, classical concept of study, in which the impetus is the students' curiosity and inquiry rather than the imposition of a formal teaching programme. Hence instead of formal lectures and panels, the daily sessions of the Collegium take the form of a series of "Dialogues", in the Platonic sense, in which the collegians sit down with groups of experts in different aspects of the Giornate programme or in various fields of the study and techniques of film history and conservation. The object of these Dialogues is not only to elicit information and instruction, but to establish personal, social connection between collegians and Pordenone habitues, so that the former will have no inhibitions about approaching the latter, in the course of the week, for supplementary discussion. Naturally collegians are required to see as much of the festival programme as possible.
To focus their inquiry, the members of the Collegium are each required to write, retrospectively, a paper or essay on some theme emerging from or inspired by the experiences of the Giornate. This may be done in collaboration with one of the "mentors" - veterans of the previous year's Collegium who return to support and assist the newcomers. The principal sources of information for the publication are likely to be interrogation of the appropriate experts present at the Giornate or study of particular aspects of the programme. THE OVERALL CRITERION FOR PAPERS IS THAT THEY COULD ONLY HAVE BEEN WRITTEN AS A RESULT OF THE GIORNATE EXPERIENCE. There are no limits - beyond readable literacy - on the style and form of the essays. The aim is that these papers will not just be a student exercise, but will provide generally useful reading even for the experts from whose experience and advice they derive, who may discover insights which may not have struck them before.
From 2008, the Collegium Papers are eligible for the annual Premio Banca Popolare FriulAdria.
Applications We do not look for formal academic or age qualifications in collegians. The qualities we look for in the twelve young people invited each year are enthusiasm, energy and above all curiosity. Prospective applicants should in the first instance simply write a letter explaining (1) who they are, (2) what is their special interest in film history, (3) what is their experience of silent films and (4) why they feel they are suited to be members of the Collegium, which involves integrating socially with the other collegians and mentors, and making positive contacts with the Pordenone population of film history experts.
Collegians and mentors are given free hotel accommodation and breakfast during the week. They are responsible for their own travel arrangements, meals, and all other expenses.
Letters of application should be e-mailed to the Collegium secretary, Riccardo Costantini, at email@example.com.