Le Giornate del Cinema Muto, 31a edizione, 6-13 ottobre 2012

31ST PORDENONE SILENT FILM FESTIVAL, 6-13 OCT. 2012

PROGRAMMA/FESTIVAL FEATURES

*Credits e schede nel catalogo scaricabile in formato pdf. / Complete credits and progamme notes in the downloadable PDF of the catalogue.

EVENTI SPECIALI/SPECIAL EVENTS*
- 06.10.2012 | 20.30 | Teatro Verdi | Serata inaugurale/Opening
  LES AVENTURES DE ROBINSON CRUSOÉ (Georges Méliès, Star-Film, FR 1902)
  Bonimenteur: Paul McGann
  THE PATSY (King Vidor; cast: Marion Davies, Marie Dressler; US 1928)
  Partitura di/Score by Maud Nelissen; esegue/performed by
  
FVG Mitteleuropa Orchestra


- 07.10.2012 | Teatro Verdi | A colpi di note/Striking a New Note
 
 WE FAW DOWN (Leo McCarey, 1928)
  Orchestra della Scuola Media Centro Storico di Pordenone 
  LIBERTY (Leo McCarey, 1929)
  Orchestra della Scuola Media “Leonardo da Vinci”, Cordenons

- 08.10.2012 | Auditorium della Regione
  Jean Darling 90!

- 08.10.2012 | Teatro Verdi
  
LE PETIT NUAGE (Renée George, US 2012)

- 09.10.2012 | Duomo di Pordenone | Prova generale/Dress rehearsal
  LA PASSION DE JEANNE D’ARC (Carl Th. Dreyer, FR 1928)
  Partitura/Score: Touve Ratovondrahety; esegue/performed by
  Orchestra e Coro San Marco di Pordenone

  (Ingresso: con apposito coupon da richiedere agli uffici del festival.
  Admission: on presentation of a special voucher available from
  the festival offices.
Tel. 0434-2855)

- 010.10.2012 | Duomo di Pordenone
  LA PASSION DE JEANNE D’ARC (Carl Th. Dreyer, FR 1928)
  Partitura/Score: Touve Ratovondrahety; esegue/performed by
  Orchestra e Coro San Marco di Pordenone

  (Ingresso: con apposito coupon da richiedere agli uffici del festival.
  Admission: on presentation of a special voucher available from
  the festival offices.
Tel. 0434-28555)

- 11.10.2012 | Teatro Verdi
  PHONO-CINÉMA-THÉÂTRE (Paul Decauville, FR 1900)
  
- 13.10.2012 | 20.30 | Teatro Verdi | Serata finale/Closing event
- 14.10.2012 | 16.00 | Teatro Verdi | Replica/Repeat Show
  A WOMAN OF AFFAIRS (Clarence Brown, 1928)
  Partitura scritta e diretta da/Score composed and conducted by Carl Davis
  Esegue/performed by FVG Mitteleuropa Orchestra
 
(Spettacolo domenicale/Sunday show: biglietteria/box office: 0434-247624)

 

CHARLES DICKENS
IL PADRE DELLA SCENEGGATURA / FATHER OF THE SCREENPLAY
*
Prog. 1 - Prime prove/Early Essays
- THE DEATH OF POOR JOE (G.A.Smith, 1900/1901)
- MR PICKWICK’S CHRISTMAS AT WARDLE’S (Paul, 1901)
- MR PICKWICK'S PREDICAMENT (Edison, 1912)
- THE PICKWICK PAPERS (Vitagraph, 1913)
- THE OLD CURIOSITY SHOP (Thanhouser, 1911)
- DOTHEBOYS HALL (Gaumont, 1903)
- NICHOLAS NICKLEBY (Thanhouser, 1912)
- THE CRICKET ON THE HEARTH (Biograph, 1914)
- THE OLD CURIOSITY SHOP (Thanhouser, 1911)
Prog. 2 - Oliver Twist
- OLIVER TWIST (Hepworth, GB 1912; dir. Thomas Bentley)
- TWIST OLIVER (Corvin, 1919)
- OLIVER TWIST (Coogan, 1922)
Prog. 3: Chuzzlewit and Dombey
- MARTIN CHUZZLEWIT (Biograph, 1914)
- DOMBEY AND SON (Ideal, 1917)
Prog. 4: A Christmas Carol - Six Scrooges
- SCROOGE, OR MARLEY’S GHOST (Paul, 1901)
- SCROOGE (Zenith, 1913)
- A CHRISTMAS CAROL (Edison, 1910)         
- A CHRISTMAS CAROL (London F.C., 1914)          
Prog. 5: David Copperfield
- DAVID COPPERFIELD (Hepworth, 1913)
- LEAVES FROM THE BOOKS OF CHARLES DICKENS
- DICKENS’ LONDON (Frank Miller, H.B. Parkinson)
Prog. 6: Bleak House
- GRANDFATHER SMALLWEED (British Sound, 1928)
- BLEAK HOUSE (Ideal, 1920)
Prog. 7: Little Dorrit
- LILLE DORRIT (Nordisk, 1924; dir. A.W. Sandberg)
Prog. 8: A Tale of Two Cities I
- A TALE OF TWO CITIES (Vitagraph, 1911)  
- A TALE OF TWO CITIES (Fox, 1917)
Prog. 9: A Tale of Two Cities II
 THE ONLY WAY (Herbert Wilcox, 1925)
Prog. 10: Great Expectations
- THE BOY AND THE CONVICT (Williamson, 1909)
- STORE FORVENTNINGER (Nordisk, 1920)
Reference Screening
– VOR VAELLES VEN (Nordisk, 1921; dir. A.W. SANDBERG) incomplete (orig. 210’)


I FILM MUTI DI ANNA STEN/THE SILENT FILMS OF ANNA STEN*
- DEVUSHKA S KOROBKOI [La ragazza con la cappelliera / The Girl with the Hatbox]
  (Mezhrabpom-Rus, USSR 1927; dir.: Boris Barnet)
- ZEMLYA V PLENU (The Yellow Ticket) [La terra prigioniera / Earth in Chains]
  (Mezhrabpom-Rus, USSR 1928; dir.: Fedor Otsep)
- PROVOKATOR [Il provocatore / Agent Provocateur]
  (VUFKU, Yalta, USSR 1927; dir.: Viktor Turin)
- MOY SYN [Mio figlio / My Son]
  (Sovkino, Leningrad, USSR 1928; dir.: Yevgenii Chervyakov
- BELYJ ORYOL [The White Eagle/The Governor]
  (Mezhrabpomfilm, USSR 1928; dir: Yakov Protazanov)
- TORGOVZY SLAVOJ [Mercanti della gloria/Merchants of Glory]
  (Mezhrabpomfilm, USSR 1929; dir.: Leonid Obolensky)
- LOHNBUCHHALTER KREMKE [Payroll Accountant Kremke]
  (DE 1930; dir: Marie Harder)
 - STÜRME DER LEIDENSCHAFT (Tempeste di passione / Tempest)
  (Ufa, Berlin, DE 1931; dir: Robert Siodmak)


SELIG POLYSCOPE
GLI INNOVATORI DIMENTICATI/THE FORGOTTEN INNOVATORS
*
Prog. 1: Francis Boggs & California
- TRACKED BY BLOODHOUNDS; OR, A LYNCHING AT CRIPPLE CREEK
  (Selig Polyscope Company, US 1904; dir. William N. Selig)
- THE SERGEANT (Selig Polyscope Company, US 1910; dir. Francis Boggs)
- CAPTAIN BRAND’S WIFE (Selig Polyscope Company, US 1911; dir. Francis Boggs)
- THE COMING OF COLUMBUS (Selig Polyscope Company, US 1912, dir. Otis Turner)
- IN THE MIDST OF THE JUNGLE (Selig Polyscope Company, US 1913; dir. H. McRea)
Prog. 2: The West and the Wilderness
- THOR, LORD OF THE JUNGLE (Selig Polyscope Company, US 1913; dir. F. J. Grandon)
- THE COWBOY MILLIONAIRE (Selig Polyscope Company, US 1913)
- SAVED BY THE PONY EXPRESS (Selig Polyscope Company, US 1911)
- THE STAGE-COACH DRIVER AND THE GIRL (Selig Polyscope, US 1915; dir. Tom Mix
- LEGAL ADVICE (Selig Polyscope Company, US 1916; dir. Tom Mix)
Prog. 3: Selig & Rex Beach (1)
- THE SPOILERS (Selig Polyscope Company, US 1914; dir. Colin Campbell)
Prog. 4: Selig & Rex Beach (2)
- THE NE’ER-DO-WELL (Selig Polyscope Company, US 1916; dir. Colin Campbell)


CINEMA D'ANIMAZIONE TEDESCO/GERMAN ANIMATION*
Prog. 1: In sogno/In Dreams

- MÜNCHNER BILDERBOGEN NR. 17: PIERETTES SPIELZEUG
  (Moeve-Film GmbH, DE 1921)
- KHASANA, DAS TEMPELMÄDCHEN (Werbefilm GmbH, DE 1923)
  DIE GEHEIMNISVOLLE STREICHHOLZDOSE (Deutsche Bioscop GmbH, Berlin, 1910)
- FISCHER OLAS TIEFSEEABENTEUER (Excentric-Film Zorn, DE 1929)
- DER KAISER DER SAHARA (Venus Film, Leipzig, DE 1921)
- UNIDENTIFIZIERTER DEUTSCHER ZEICHENTRICKFILM] (?, DE, c.1920-29)
- DIE ZAUBERFLASCHE (Vaterländischer Filmvertrieb, DE 1918)
- SCHNIPPS BOXKAMPF IN DER HÖLLE (Architekt G. Germroth, Frankfurt, DE 192-?)
- DAS WIEDERGEFUNDENE PARADIES (Werbefilm GmbH, Berlin, DE 1925)
- LOUIS SEEL FILMBILDERBOGEN: AMORS TAGEBUCH II:
  EIN ZEICHNERISCHER SCHERZ (Werbefilm GmbH, Berlin, DE 1924)
- DIE BARCAROLE [ (Werbefilm GmbH, Berlin, per/for Mauxion, Aachen, DE 1924)
- DER BÖSE TRAUM (Pinschewer-Film AG, Berlin, DE 1928)
- DIE BREMER STADTMUSIKANTEN (Ufa, per/for Kaiser’s Brust-Caramellen, DE 1926)
- SCHLARAFFENLAND (Pinschewer-Film, Berlin, DE 1927)
- JORINDE UND JORINGEL (Institut für Kulturforschung e.V., Berlin, De 1920)

Prog. 2: Il meraviglioso mondo delle cose/The Wonderful World of Things
-
DER ZAHNTEUFEL (Werbefilm GmbH, Berlin, DE 1915?/1921?; dir. Harry Jaeger)
- DER SIEGER (Werbefilm GmbH, Berlin, DE 1922; dir. Walter Ruttmann)
- DAS WUNDER (Werbefilm GmbH, Berlin, DE 1922, dir. W. Ruttmann;
   prod: Julius Pinschewer)
- DER ERSTE EHEZWIST (Döring-Film Werke, Hannover, DE 1924;
   dir. Resl Bucher, Karl Pindl)
- DER HARTNÄCKIGE SELBSTMÖRDER (Werbe-Kunst-Film AG, Berlin, DE 1925;
  dir: Curt Schumann)
- IN SCHNEEKÖNIGS REICH (Deulig-Film AG, Berlin, DE 1926;
  dir: Ewald Mathias Schumacher
- FLAMMENTANZ (Deulig-Film AG, Berlin, DE 1926; dir. Ewald Mathias Schumacher)
- DAS ZÜNDHOLZ (Werbefilm GmbH, Berlin, DE 1926; dir. Lutz Michaelis)
- FELITA, DIE KATZE (Werbe-Kunst-Film AG, Berlin, DE 1926; dir. Curt Schumann)
- IM FILMATELIER (Pinschewer-Film, Berlin, DE 1927; dir. Gerda Otto, Hedwig Otto)
- NUR DU! (Mode-Film-Vertrieb, Berlin, DE 1927)
- HERR JEDERMANN IST WISSENSDURSTIG!
  (Werbekunst Epoche Reklame GmbH, Berlin, DE 1928; dir. Hans Fischerkoesen)
- PITJE BACKSPIER ALS PELZJÄGER (Ewald-Film GmbH, per/for Sanitas, DE 1928)
- KÜCHENREBELLEN (Pinschewer-Film AG, Berlin, per/for Lever Brothers, DE 1928)
- DAS WETTERHÄUSCHEN (Pinschewer-Film AG, Berlin, DE 1929; dir: G. & H. Otto)
- DIE KATASTROPHE (Pinschewer-Film AG, Berlin, DE 1930; dir. Leni Fischer)
- [WERBEFILM FÜR TISCHTÜCHER VON BIELSCHOWSKY]
  (?, per/for Bielschowsky, DE, c.1920-29?)
- [WERBEFILM FÜR DIE NEUE FORD-LIMOUSINE]
  (?, per/for Ford Motor Company, DE, c.1920-29?)

LE STORIE DI/THE STORIES OF W.W. JACOBS*
- A WILL AND A WAY (Manning Haynes, 1922) 48’
- SAM’S BOY (Manning Haynes, 1922) 57’
- THE SKIPPER’S WOOING (Manning Haynes, 1922) 69’
- THE HEAD OF THE FAMILY (Manning Haynes, 1922) 73’
- THE BOATWSAIN’S MATE (Manning Haynes, 1924) 25’


IL CANONE RIVISITATO/THE CANON REVISITED - 4*
- DIE FREUDLOSE GASSE (Sofar-Film-Produktion GmbH, DE 1925; dir. G.W. Pabst)
- HANDS UP! (Famous Players-Lasky, US 1926; dir. Clarence Badger)
- LA PASSION DE JEANNE D’ARC (SGF, FR 1928; dir. Carl Theodore Dreyer)
- PROSTOI SLUCHAI (Rasskaz o prostom sluchae/Ochen’ khorosho zhivetsa)
  [Un caso semplice; Si vive proprio bene / A Simple Case; Life is Beautiful]
  (Mezhrabpomfilm, USSR 1932; dir: Vsevolod Pudovkin)
- DIE WEBER [I tessitori/The Weavers] (Friedrich Zelnik-Film, DE 1927; dir. F. Zelnik)
- ZVENYHORA (VUFKU, Odessa, USSR 1928; dir. Oleksandr [Aleksandr] Dovzhenk)


CINEMA DELLE ORIGINI/EARLY CINEMA*
- APRES LA BATAILLE ((Paul Decauville, S.A. du Phono-Cinéma-Théâtre, FR 1903)
- AUTOMABOULISME ET AUTORITÉ (Georges Méliès, Star-Film, FR 1899)
- DANSE DE L’ÉVENTAIL (Lumière, FR 1897)
- EUGÉNIE, REDRESSE-TOI (Gaumont, FR 1911)
- [NOUVELLES LUTTES EXTRAVAGANTES] (Georges Méliès, FR1900)
- UN VIAGGIO IN UNA STELLA (Cines, Roma, IT 1906)
- VOYAGE AUTOUR D’UNE ÉTOILE (Pathé, FR 1906)
- VOYAGE AUTOUR D’UNE ÉTOILE (Pathé, FR 1906?)
Corrick Collection 6 (74'30")
- APPARTEMENT À LOUER (Pathé, FR 1906) 3'38"
- LES CHIENS CONTREBANDIERS (Pathé, FR 1906) 8'31" 
- DREAM OF A RAREBIT FIEND (Edison, US 1906) 7'03"
- L’ENFANT PRODIGUE (Pathé, FR 1909) 13'36"
- LES VOLEUSES VOLÉES (Pathé, FR 1906) 3'39"
- CHARMEURS DE SERPENTS (Pathé, FR 1903) 49"  
- EXCURSION EN ITALIE (Pathé, FR 1904) 11'3"
- A DASH TO DEATH (EDISON, US 1909) 11'12"
- [BURGLAR AND BABY] (?, ?, c.1906) 1'33"
- ROYAL SHOW (Corrick, AU 1909) 7'52"
- LA PEINE DU TALION (Pathé, FR 1905) 5'11"

RISCOPERTE E RESTAURI/REDISCOVERIES & RESTORATIONS*
- DE BERTHA [La Berta/The “Bertha”] (Maatschappij voor Artistieke
  Cinematografie Haarlem, NL 1913; dir. Louis H. Chrispijn, Sr.)
- A COUPLE OF DOWN AND OUTS
  (G.B. Samuelson, Napoleon Films, GB 1923; dir. Walter Summers)
- FAMILIENTAG IM HAUSE PRELLSTEIN
  (Herrnfeld-Film/Rex-Film per/for Ufa, DE 1927; dir. Hans Steinhoff)
- THE GOOSE WOMAN (Universal-Jewel, US 1925; dir. Clarence Brown)
- IDILLIO INFRANTO (Apulia-Cine, Acquaviva delle Fonti, IT 1933; dir. Nello Mauri)
- JENSEITS DER STRAßE. EINE TRAGÖDIE DES ALLTAGS (Harbor Drift)
  (Prometheus-Film Verleih- und Vertriebs-GmbH, Berlin, DE 1929; dir: Leo Mittler)
- RUPTURE (C.A.P.A.C., FR 1961; dir: Pierre Etaix, Jean-Claude Carrière;
- THE SPANISH DANCER (Famous Players-Lasky, US 1923; dir. Herbert Brenon)
- GLI SPAZZACAMINI DELLA VAL D'AOSTA (Pasquali & C., IT 1914; dir. U. Paradisi)
- THE UNWANTED (Napoleon Films, GB 1924; dir.: Walter Summers)
- THE VIKING (Technicolor Motion Picture Corp., dist: MGM, US 1928; dir. R. W. Neill)

The Apollo Mystery
- DAS GEHEIMSCHLOSS (Miss Clever contra de “Zwarte Hand”)
  (Apollo-Film-GmbH, DE 1914)
- WENN VÖLKER STREITEN [Quando le nazioni litigano/When Nations Quarrel]
  (Apollo-Film-GmbH, DE 1915; dir. Rino Lupo)

Haghefilm/Selznick School Fellowship 2012

- SPORTS OF MANY LANDS (Colorart Pictures, Inc., dist. Tiffany-Stahl, US 1929)
- THE BROADWAY MELODY (M-G-M Corp., US 1929; fragment; dir. Harry Beaumont)
- SONG OF THE ROSES (M-G-M Corp. US 1929; fragment; dir. Gus Edwards)
- THE SHOW OF SHOWS (Warner Bros., US 1929; fragment; dir. John G. Adolfi)
- THE MYSTERIOUS ISLAND (M-G-M Corp., US 1929; fragment; dir. Lucien Hubbard)
- AND HOW (Warner Bros. Pictures, US 1930; fragment; dir. Max Scheck)
- THE JAZZ REHEARSAL (Warner Bros. Pictures, US 1930; fragment; dir. Roy Mack)
- AFFINITIES (Ward Lascelle Productions,US 1922); fragment; dir. Ward Lascelle)

Late Thanhouser
- MODERN MONTE CRISTO
  (Thanhouser/Pathé Gold Rooster Play, US 1917, dir. W. Eugene Moore)
- FIRES OF YOUTH
  (Thanhouser/Pathé Gold Rooster Play, US 1917; dir. Emile Chautard

Cinema italiano
- GLI SPAZZACAMINI DELLA VAL D’AOSTA (Pasquali & C., Torino, IT 1914)
- IDILLIO INFRANTO (Apulia-Cine, Acquaviva delle Fonti, IT 1933)

La suocera!/“Oh! Mother-in-Law”
- LA COURSE DES BELLES-MÈRES (Pathé Frères, FR 1907; dir. Louis Feuillade)
- LA GARÇONNIÈRE DE RIGADIN (Pathé Frères, FR 1912; dir. Georges Monca)
- JOBARD A TUÉ SA BELLE-MÈRE (Pathé Frères, FR 1911; dir. Émile Cohl)
- LE CRIME DE CAZA (De Misdaad van Caza) (Pathé Frères, FR 1915)
- FINALMENTE SOLI (Itala-Film, IT 1912; cast: Ernesto Vaser)
- I SUOCERI (Cines, IT 1912; cast: Lorenzo Soderini, Giuseppe Gambardella)
- POLIDOR CONTRO LA SUOCERA (Pasquali, IT 1912; cast: Ferdinand Guillaume)
- JERRY’S MOTHER-IN-LAW (Vitagraph, US 1913; dir. L. Rogers Lytton, James Young;
  cast: Sidney Drew, Clara Kimball Young, Kate Price)
- THE MAKING OVER OF MOTHER (Christie Film Co., US 1916; dir. Horace Davey;
  cast: Neal Burns, Betty Compson)

RITRATTI/PORTRAITS*
- L'UOMO CHE AMAVA IL CINEMA (Marco Segato, Jolefilm, IT 2012)
  

*Credits e schede nel catalogo scaricabile in formato pdf. / Complete credits and progamme notes in the downloadable PDF of the catalogue