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Num. inventario del frammento
Clip inventory number
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3111 |
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Titolo film
Film title |
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Marin Faliero, Doge di Venezia (Dalle cronache veneziane del 1355) |
Titolo alternativo
Alternate title(s) |
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Marin Faliero; Doge von Venedig |
Titolo busta Turconi
Title on Turconi env. |
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Doge and Venezia, Marin Faliero Doge di Venezia |
Casa di produzione
Production co. |
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SAFFI-Comerio |
Nazione
Country |
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Italy |
Data di uscita
Release date |
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1909 |
Regia
Director |
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Giuseppe De Liguoro |
Film conservato c/o
Film preserved at
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BFI; Museum of Modern Art; Associazione Italiana per le Ricerche di Storia del Cinema |
Processi colorazione
Color processes |
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Altri particolari
Other details
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Scritte sui margini
Edge inscriptions |
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Manifatt. pellicola
Stock manufacturer
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Catalogo Joye n.
Joye Catalogue no.
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591 |
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Totale frammenti
Total title clips |
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112 |
Frammento conservato c/o
Fragment preserved at |
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George Eastman House |
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Num. fotogrammi
Number of frames |
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2 |
| Note / Notes |
See 3108...3134, 10601...10606, 16196...16226.
GEH 3108...3134:
[591
Marin Faliero
Doge & Venezia
Milano Film
1911]
Friuli 10601...10606:
[Marin Faliero Doge di Venezia
di e con Giuseppe De Liguoro
Saffi Comerio Milano 1903 -]
16196...16226 Bologna:
title info confirmed by Cineteca di Bologna
Bernardini 17655...17657:
[Marin Faliero, Doge di Venezia
SAFFI-Comerio 1909]
Friuli 19788...19833:
Mounted in slide frames
[Marin Faliero
591] |
| Commenti, aggiunte e correzioni / Comments, additions and corrections |
SBL 5/3/2010
clip #s 16203, 16214... 16218 re: color info - is this clip b&w or is it faded/decomp orange tint? Bologna notes it as no color, which is how I’ve entered it here.
JLY, 10/22/2009
Updated date. Left tinting as orange for now. FIAF database wouldn’t have gotten their info from here.
3/9/09 SL
FIAF lists production company as Milano films; given Paolo’s comment, is that information that would have gotten there from this database? FIAF agrees with the 1909 production date
PCU, Jan 21, 2008:
Date: this is not an 1911 title. The correct date is 1909.
I’m quite puzzled by Turconi’s attribution of this film to Milano Films. (unfortunately, none of the clips includes an intertitle). Could it be because SAFFi-Comerio was based in Milan? I am also uncertain about the tinting: I find the blanket “orange tinting” description a bit risky, as I feel that some frames may have been affected by decomposition. A case by case assessment of the originals might be in order.
UR 1/17/08
Specified locations for Daniela’s note on provenance, and minor corrections in notes.
Given by Livio Jacob to Patrick Loughney in Pordenone in October 2006. Frames were in plastic sleeves stapled on cardboard. Not Turconi handwriting - DC
Turconi’s envelope credits the film to Milano Films 1911. -PCU |
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