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Num. inventario del frammento
Clip inventory number
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269 |
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Titolo film
Film title |
|
Joseph vendu par ses frères |
Titolo alternativo
Alternate title(s) |
|
Joseph Sold by His Brethern, Joseph and His Brothers, Joseph und seine Brüder |
Titolo busta Turconi
Title on Turconi env. |
|
Joseph und seine Bruder |
Casa di produzione
Production co. |
|
Pathé Frères (Le Film d’Art) |
Nazione
Country |
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France |
Data di uscita
Release date |
|
1909 |
Regia
Director |
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Film conservato c/o
Film preserved at
|
|
CF; BFI |
Processi colorazione
Color processes |
|
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| Stenciled |
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Yellow; Brown; Green; Blue |
Altri particolari
Other details
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Scritte sui margini
Edge inscriptions |
|
|
Manifatt. pellicola
Stock manufacturer
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Catalogo Joye n.
Joye Catalogue no.
|
|
1929 |
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|
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Totale frammenti
Total title clips |
|
10 |
Frammento conservato c/o
Fragment preserved at |
|
George Eastman House |
| |
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Num. fotogrammi
Number of frames |
|
3 |
| Note / Notes |
[1929
Joseph und seine Bruder
Pathé]
|
| Commenti, aggiunte e correzioni / Comments, additions and corrections |
MWR 7/27/10 ( added archives)
FIAF:
Film Description:JOSEPH VENDU PAR SES FRÈRES (FR, 1909)
Film Title:JOSEPH VENDU PAR SES FRÈRES
Alternate name(s):JOSEPH SOLD BY HIS BRETHREN
Film Country:France
Film Year:1909
Production Company:Film d'Art
Archive:bfi/National Film and Television Archive (London) [GBB]
Cinémathèque Française (Paris) [FRC]
Access Holdings:Format unspecified: GBB
Accession Number:19811
MWR 7/1/10
Identified: http://filmographie.fondation-jeromeseydoux-pathe.com/index.php?id=3419
MWR 3/8/2010
replaced: n. 267 with 1929
The proper German plural would read “Brüder†- UR. 1/17-08
German title translates as “Peter and his Brothers†- UR 1/22/08
“A satisfactory and clear interpretation of this old story. Every child knows it, and it is here presented in the beauty of Oriental color. One need not repeat it, but one may commend it as an adequate representation of a subject which appeals to all who read the Bible. The story is closely followed, since it is sufficiently dramatic in itself to hold interest without the necessity of resorting to rearrangement or additions. The whole narrative is reproduced, and so graphically is it done that a stronger impression than the mere reading was capable of producing is made upon the audience. [...]" The Moving Picture World (12 March 1910) |
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