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| Festival Year |
Festival Section |
| 2009 |
21st Century Silents |
| Film Title |
DOGMA |
| Alternative Title 1 |
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| Alternative Title 2 |
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| Alternative Title 3 |
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| Country |
USA |
| Release Date |
2008 |
| Production Co. |
Wisconsin Bioscope |
| Director |
Kayla Grosse |
| Format |
|
Speed (fps) |
| 35mm |
|
16 |
| |
|
|
| Footage |
|
Time |
| 88 ft. |
|
c.2' |
| Archive Source |
Communications Arts Department, University of Wisconsin-Madison |
| |
|
| Print Notes |
Senza didascalie / No intertitles |
| Cast |
| Reo Glancey, Lyndsey Wurch, Robert Breitenbach, Dylan Brogan, Alex Cox, Sydney Duncan, Kate Marcus |
| |
| Other Credits |
| scen: Kayla Grosse; prod: Dan Fuller; f./ph: Kelsey Field |
| |
| Program Notes |
| Because coloring motion picture film by hand is so tedious, the Wisconsin Bioscope Company only uses color for short sequences that require a very spectacular effect. For Dogma, the set, lighting, costumes, and action were all designed so that the fire effect could be achieved quickly and easily. The aim was to provide the colorists with a clearly-defined, high-contrast area to paint. In this way, Dogma is as completely driven by its special effects as this summer’s Transformers movie or Tim Burton’s upcoming Alice in Wonderland – although on a more modest budget. To learn more about the production philosophy of the Wisconsin Bioscope Company, please visit www.wisconsinbioscope.com. – DAN FULLER |
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